A Terrible Beauty – Damian McNairney
In Conversation with Oliver Callinan
Patrick Kielty and Christy Moore
Joe Dermody – Exclusive Interview
Tony Clayton-Lee – Oct 24, 2024
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published on Dig With It June 5, 2024
Live Report: Christy Moore goes to the Opera
As part of a series of sold-out gigs that will see him on the road until October if not beyond, Christy Moore is going solo and audiences are loving it.
This was Christy Moore in his natural habitat, totally engaged with a Wexford Opera House full of fans, and his songs and stories teeming with heroes and villains. It sure augurs well for the rest of his current tour.
Yes we had the hilarious ‘Joxer Goes to Stuttgart’ and a fabulous solo vocal version of ‘The Ballad of Ruby Walsh’, with a standing Christy trying out his best jockey moves. But other heroes were honoured too, with Wally Page’s ‘The Biko Drum’ getting a welcome outing alongside Bobby Sands’ ‘McIlhatton’ and ‘Lyra McKee’, James Cramer’s tribute to the murdered Belfast journalist
The audience responded with vigour to Christy’s version of Martin Leahy’s fierce putdown of the cowardice of anonymous online trollers. Leahy is the somewhat unsung hero who takes up his weekly position outside Leinster House trying to penetrate the hearts of politicians with his song ‘Everybody Should Have a Home’.
But then Christy is no fan of politicians, as you would gather from the wit and venom of ‘I Hate Politicians’ which neatly segued into ‘Don’t Forget Your Shovel’.
But there was something of a privilege in hearing for the first time Christy singing Jim Page’s brand new ‘Palestine’ which got the biggest cheer of the night.
‘North and South’ was another audience winner. There were less politically-overt favourites too, ‘Beeswing’, ‘The Voyage’, ‘Welcome to the Cabaret’ and ‘The Time Has Come’, and two songs by younger brother Luka in ‘The City of Chicago’ and ‘I’m a Bogman’. They were all delivered with Christy’s voice as strong and as wholesome as ever, his wit on full alert and real anger in his rhythmic guitar accompaniment whenever the song deserved it.
Walking out onto Wexford’s High Street we felt better equipped to face the ongoing depravity of the human race. That’s what a close engagement with Christy Moore does to you. As he said himself, he’s come a long way from The Unyoke Inn to the Opera House.
Jackie Hayden
Christy Moore Stars at 17th Marquee outing
How does Christy Moore remember all those words, eyes closed, singing and reciting around 10,000 words in two of the most joyful hours ever in the Marquee?
Could Shakespeare recite his hit eyes closed? Total recall. Christy [Moore] is the Arnie [Schwarzenegger – legends don’t need surnames] of Irish folk. It’s just one of his many blessed mysteries. He truly has the gods in his pocket.
With thunder and lightning threatening earlier in the day, we were hoping that Christy’s show in Cork’s Marquee would enjoy a degree of calm between the storms. The gods smiled.
Mercurial, magical, and never one to pull his punches when a point of principle is at stake, Christy Moore really is so much more than Ireland’s undisputed champion of acoustic folk music.
His sold-out show was a thing of beauty, but it was more than that. It was a moment to reflect on the issues currently facing society, not least homelessness. He’s not just shaking a fist at authorities either. When Christy plays Dublin’s Vicar Street in July, the entire proceeds will go to the homeless charity Focus Ireland.
At the Marquee, his passion is evident. “I saw a woman begging on the streets on my way here today, she was in an awful way,” he says. “I’d like to sing this song for her. It’s called ‘Lemon Sevens’, which are tablets that some people crush and smoke.”
He also played “They’re Afraid to Use Their Names’, a new song about social media trolls written by Bandon’s Martin Leahy, with Christy also urging people to visit YouTube to view ‘Everyone Needs A Home”, the protest song Martin sings outside the Dáil every week.
An RTE poll placed Christy as Ireland’s greatest living musician. He’s adored in the Marquee, which he sells out every year. He’s loved like a local for a good reason. “This is my 17th time playing in this tent. I tried to have a song ready for last year’s show, I was writing it on the way down, I have it [‘The Big Marquee’] ready tonight.
Huge applause, name-checking everyone listed in the Cork phonebook, from The Two Norries, John Spillane, Ricky Lynch, and the Irish Examiner.
Christy played solo, though ‘solo’ is too small a word – he’s bigger, both in terms of performance and charm than any 15-piece band. The songs are huge: ‘Ordinary Man’, ‘Delirium Tremens’, ‘Viva la Qunita Brigada’, ‘Lisdoonvarna’, ‘Ride On’, ‘Beeswing’, ‘Lingo Politico (I Hate Politicians)’, with a sprinkling of ‘Don’t Forget Your Shovel’ and ‘Sonny’ (dedicated to the late Christy Dignam).
Incredible repertoire, but his personality is even bigger than the songs. Down these parts, he can do no wrong. He walks on water.
Joe Dermody
Cork Examiner
Christy Moore: Flying Into Mystery
Solid Outing from Ireland’s greatest treasure
Moore revisits songs by namesake Gary and Bob Dylan alongside a few new of his own.
“It has been a very different recording process this time around,” writes Christy Moore in the liner notes. “Since 1969 I have been involved in recording but never with a total absence of live performance. Since March 2020, all my focus has been on this album.” You would imagine that Moore might have basked in the socially enforced leisure time, but a restless spirit is a restless spirit, and so he did what every other musician does as downtime looms – forget about relaxing, pick up a guitar and write songs.
As is usual for Moore, however, Flying Into Mystery revisits the work of other songwriters as well as throwing some of his own into the pot. He is as astute a curator and collector as he is an original songwriter, and the crux of the album lies primarily in two songs, cover versions that Moore effortlessly makes his own. The opening track, Johnny Boy, was written in the 1980’s by a different Moore (Gary), as a tribute to his friend, Phil Lynott. It connects thematically with the closing track, I Pity the Poor Immigrant, written in the 1960’s by Bob Dylan.
The filling in the sandwich includes revisions of songs not only from his back catalogue but also known songwriters. This isn’t Moore by numbers, however, rather another solid outing from (not that he would ever think of himself as such) Ireland’s greatest living national treasure.
Tony Clayton-Lea
Christy Moore
Flying Into Mystery
Legendary Irish veteran still hitting the mark
As someone who has always road-tested his material before recording it, Moore faced a new challenge during lockdown: for the first time in a career lasting 50 years he was forced to make a studio album without having first developed the songs in front of an audience. He’s responded bravely with a mature set of exquisitely crafted ballads, his simple guitar picking burnished with elegant piano-and-strings arrangements. From his stirring climate change protest on ‘Clock Winds Down’ (“The ice caps melt, the Amazon burns, the grid goes down) to his deathless take on Dylan’s ‘I Pity the poor Immigrant’, the results are both masterful and moving.
Nigel Williamson
Bookended by ‘Johnny Boy’, Gary Moore’s heartfelt tribute to Phil Lynott, and Bob Dylan’s ‘I Pity the Poor Immigrant’, Flying Into Mystery is everything you’d expect from the esteemed son of County Kildare: well chosen contemporary songs, a smattering of trad.arr. and a few originals with the usual mix of politics, romance, humour and social commentary.
Right from the start Christy Moore’s unparalleled skills as a storyteller draw the listener in, whether he’s putting his own spin on traditional songs ‘Van Diemen’s Land’ and ‘Myra’s Caboose’ (aka ‘The Gander’) or taking contemporary songs, including Mick Hanly’s ‘All I Remember’ and Lynch’s ‘December 1942’, and making them his own thanks to a warm vocal performance that belies his seventy-six years.
Politically, Moore is bang on the money once again with ‘Clock Winds Down’, Jim Page’s timely and powerful reflection/reaction to the climate crisis but, as ever, he doesn’t dwell on the negative, tempering the doom and gloom with the humour of ‘Bord Na Mona Man’, his own homage to the ubiquitous Irish peat company.
Closing with ‘Zozimus & Zimmerman’, an autobiographical tale of watching Bob Dylan perform, Flying Into Mystery is yet another glorious release from a true master of his art.
Dave Haslam
Dear Listeners,
In case you missed it, here is a link to my recent chat with Ronan Collins:
Dear Listeners,
Tickets for the annual run of shows in Vicar St.are on sale now.
November 22, 26, 29, 2023
December 4, 11, 29, 2023
January 2, 7, 11, 16, 19, 2024
Further details here on the gig page
Dear Listeners,
On Monday 10th July Christy will perform at Vicar Street with all proceeds going to Focus Ireland, founded by Sr Stan.
Focus Ireland is a national voluntary organisation that aims to advance the rights of people in homelessness, and works to prevent, alleviate and eliminate homelessness in Ireland.
The gig is now SOLD OUT, but if you want to contribute to this effort, you can make a donation on focusireland.ie and select Christy Moore Concert as the reason you are donating.
See Christy speaking about Homelessness Here
Further details here on the gig page
Dear Listeners,
On Sale Tues May 16th @ 1pm
Cork Opera House Nov 6th, 2023
On Sale Thurs. May 18th @ 10am
Waterfront, Belfast Oct 17th, 2023;
Armagh City Hotel Oct 19th, 2023;
Carrckdale Hotel, Dundalk November 19th, 2023
Further details here on the gig page
Dear Listeners,
Royal Theatre Castlebar Oct 28th, 2023
Further details here on the gig page
Dear Listeners,
University Concert Hall Limerick May 19th,
TLT Drogheda July 5th
Theatre Royal Waterford July 19th and 21st
Great Northern Bundoran September 26th
Further details here on the gig page
Dear Listeners,
Further details here on the gig page
Dear Listeners,
Further details here on the gig page
Christy MooreExtra and final Vicar Street Show date added17 January 2023Extra date on sale at 3pm today Friday Sept 30thWe are today announcing an extra and final date at Dublin’s Vicar Street – 17 January 2023. This means that Christy will play 13 dates at Vicar Street spread across November, December and January.
Dear Listeners,
There have been posts to the website asking about how to get notice of pre-sale.
The Artist Pre Sale link to Vicar Street shows is scheduled to be delivered on Monday Sept. 26th to all valid email addresses registered with the current newsletter.
Artist Pre-sale tickets on sale Tuesday September 27th via link received by email.
Tickets On Sale to General Public Thursday 29th September at 9.00am
Vicar Street
Nov 23 & 29 2022
Dec 5, 7, 12, 14 & 18 2022
Jan 2, 4, 9, 11, 15 2023
Dear Listeners,
I am happy to announce we are planning 12 shows in Vicar Street starting in November. Hope to see you along the way.
Tickets On Sale Thursday 29th September at 9.00am
Nov 23 & 29 2022 Dec 5, 7, 12, 14 & 18 2022 Jan 2, 4, 9, 11, 15 2023
Doors open 7pm Show starts 8pm
Further details here on the gig page
Dear Listeners,
I’m very pleased to tell you that in Tribute to Don O’Leary, I will be playing a concert at the Cork Opera House on Sunday Nov 6th in support of Cork Life Centre. Tickets go on sale Thursday September 15th.
All Proceeds to Cork Life Centre.
Further details here on the gig page
The Cork Life Centre is an alternative education project for young people who cannot access their education in the mainstream secondary school system. www.corklifecentre.org
Dear Listeners,
First show gone, but we now have a second show scheduled for November 18th.
Tickets on sale Monday July 25th.
Further details here on the gig page
Christy Moore announces concert in support of
WOMEN’S AID
Vicar Street, 11th July 2022
Tickets on sale this Monday 23rd May at 9am
Christy Moore today announced that he will perform a special concert at Vicar Street on 11th July in support of Women’s Aid.
Women’s Aid has been working to stop domestic violence against women and children since 1974. As a leading support service, their ethos is based on listening to and believing women, and giving them the support they need to escape and recover from abuse. In addition to this, through advocacy, representation and policy reform they seek to create an Ireland where domestic violence is not tolerated. Women’s Aid will remain at the forefront of this endeavour, supporting women and advocating for change, until Ireland is free from domestic violence against women and children.
Tickets for this special concert, priced at 50 euro, go on sale this Monday 23rd May at 9am from Ticketmaster.ie
For more on Women’s Aid go to www.womensaid.ie
Dear Listeners,
We have had to change the venue for our July 20th show. It is now scheduled to take place at the Mullingar Park Hotel on the same date – July 20, 2022. All previously purchased tickets remain valid.
Please accept our apology for any inconvenience caused.
Further details here on the gig page